Marketing

I started my professional career as The Manhattan Theater Club’s first Audience Development Director in 1976. Arts management training programs at colleges and universities were pretty rare at that time. Like a lot of things in my career, I was figuring it all out in real time. Soon I was deep into subscription campaigns and working to increase the size of the audience. However, while our audience was growing, it was not getting more diverse. I was slowly figuring out that subscription campaigns in the theater were geared to very specific people: wealthy for sure, and for the most part, white. When the theater critics started reviewing the audience, I remember thinking, uh oh, this is not good! You will see the evolution of my thinking on this issue in some of the pieces included in this section.